glenn underground returns with the big guns for his excellent chicago deephouse imprint and dug out another new talent - jazzy shuffled beats, killer horn riffs, chants and fuzzy funk basslines are the tasty ingredients for 4 deadly dancefloor killer.

the restoration crew strikes back with >amber e.p.< , a celebration of the necessary power to feed the machines and to keep them working. live recorded on tape, its pure raw analogue sound, its true dedication to urban dance music. the long track on side a, >andy< is produced by the third side, the infamous berlin based team formed by panorama bar resident steffi (ostgut ton/klakson), marieu and lucretio. an evocative female voice,a powerful rumbling bass, fat beats, hypnotic strings, a relentless pace, an acid taste: simply, a burning spear for the dancefloor. on side b, >thinking right< by lucretio pick up the baton left by infiniti with his later works. full sub-bass deep techno with soul. ground breaking rhythms, filtered vocals and harmonies, a smooth build up on a minimalisitc structure. clear eyes on the future of techno. marieus >the guardian< is an amazing fusion of jazz and deep house with motown influences. the blend of vanguardist chords and exquisite tight drums lead to a joyful experience, the surprising ad-libs spreaded along the track keeps the involvement high during 7 minutes

the adult little sister label is back with a brand new release, with four different artists each presenting one track in true relatives tradition! this time david moleon, hristian stojanowsi, peppelino and thermo step up to deliver some fine moving hardgroove techno beats.

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

2003 release by eddie amador aka mochico, featuring miss audry.

three guys with a common passion in deep sounds, funky and raw beats meet up with the aim of producing their own and friends stuff. baby move! ep is the first ep of the enfant prodige marco daquino, florence native dreamer who delivers two little gems of disco-house. the main track is a dreamy deep train that will take you over with its gentle strings and wonderful synth, while a voice from a glorious past will funk up the whole thing. on the other side this sound is my sound brings us in a slow-motion deep funk world and will definetely shake your body and make you smile.

the journey begins with lose my life. lady blacktronika lays down her soulful vocals, deep bass and moody keys over simple and captivating motorcity beats. deep, groovy and hypnotic, the overall sound is far more than the sum of its parts.

beretta grey proudly brings to you the >finite ep< by the talented new producer hailing from san francisco, christina chatfield. christina chatfield was raised in a family of classical musicians, geographically and culturally located between the warm jacking beats of chicago house and cool soulful stabs of detroit techno. espousing her genetically rooted appreciation for music, christina attended the berklee college of music in boston where she quickly absorbed every detail of electronic synthesis and began her analog hardware and studio gear addiction. with the >finite ep< on beretta grey, christina has created two timeless pieces of music that are sure to please intelligent dance floor goers around the planet.

french house is sort of back! after hitmachine carlo lio sk supreme presents another promissing guy called eric volta. including hot remixes by kanio (traum, trapez. lower east) and david west (anjuna beats, pickadoll, armada music).

cosmin trg is back with his 2nd release in the direct current series on rush hour. this time he loses the steppy beats and turns out two fierce house tracks, yet he keeps his signature cut up r&b samples and the future attitude. trg is fast becoming one of our favorite new house producers

supported by sasse , wolf& lamb, djulz, trickski, chris duckenfield, willie graff, vera, huxley, afrilounge, lee jones, kris wadsworth, yakine, hauke freer, james teej (rekids),.. yes, its the man again, iron curtis! he has been climbing up for the last few months with various top releases (like on mule electronique, hudd traxx, undertones or his dirt crew recordings remix) and this is another proof why iron curtis is a man to watch. its all there: fat basslines, well crafted beats and great synths. real neighbour baaz (no joke, they live door to door) is adding a smooth remix to finish this well balanced pack. go and get 70!

audio family is steadily building on its fanbase and its growing by the day,as we see the backstock is flying out lately. another big addition to the roster in the form of the french techno dj/producer josh love!classical style with some old skool feeling and hints to the old days of tribal techno mixed with catchy synths and pounding beats!

pounding beats! classic hard techno edits!!

heralded as one of the more interesting newcomers to the underground scene, lucy?s refreshing style of intuitive dub techno has found a natural home with luke slater s mote-evolver label.

a1. >everybody techno< - this is typical of gideons dance floor techno style, thick beats with a marching bass-line. from the first beat we are guided through a tough no-holds-barred trip into an unforgiving world of the darker sides of techno music. a retrospective vocal with a sinister laugh completes this evil peak-time track.
a2. >flight to right now< - this minimal track snaps along with a very basic beat and synth combo. the synth rises as the track progresses to keep dance floors moving. there is a wonderfully simple aspect to this track that gets under the skin and allows people to really connect with it.
b1. >recession tool< (vocal mix) - recession tool is a chunky tech house track with a wonderfully chewed up vocal and ever-present reverse snares. the track pumps forward until a nice rising breakdown lifts to complete with more vocals and intricate drum loops.
b2. >rico< - rico is a long progressive track with a slow builds and a warped lead line. the least aggressive track on the ep and possibly the least expressive. that said, it still ticks along seamlessly with a perfectly crafted warble and smart drums.

for bass cultures 10th release d julz welcome back gez varley, aka mr. g. having first worked his recently released >still here (get down)< artist album on rekids, mr. g now makes his full debut on bass culture with the >extended pain< e.p. two devastatingly good originals in the form of >sunday blues< and >jbs< sees the g man revisiting those classic, deeper sounds, whilst delivering the fresh and upfront tastes as only he can. repaying the remix favour for bc003 is esperanza boss and bass culture favourite, kasper. getting to grips with >sunday blues< the madrid man turns the smooth mood of the original on its head. industrial sized beats, blinding rides and a preciously warped synth line, give a whole new face to already beautiful original

the first release will be with the new kid in town: ghost mutt. this young producer from brighton (uk) is linked as resident artist to the people of donky pitch with other residents like boss kite and slugabed. his sound can be, if we try to genre-ize it, defined as a mash-up of hiphop beats mixed with dubstep, covered with glitches, funky tweaks, purple flares and dirty basses. he has been sharing line-ups with tokimonsta, slugabed, blue daisy, boss kite, coco bryce and bass clef.

exciting new artist claudio ponticelli with his first solo ep on patterns! think of bigroom techno,pounding beats and creepy atmosphere.no wonder this man was pushed forward by a.paul himself.to celebrate the mans first solo ep,two wicked remixes by patterns regulars fer br and a.paul himself!

the house nerds with 2 killer tracks for lovers of rekids & cabin fever. mystery bells >down deep and dark< went the name of an old strictly rhythm compilation and thats a pretty good description of mystery bells. 909 beats propel this monster along with the payoff coming via a big-room breakdown. follow that with a variety of skippy sp1200 drum programming to finish it off. (did we mention the bells?) huge. library session no. 4 is bouncy proto-garage mixes together with spaced out vocal samples and some serious chordage. channeling old downtown 161 vibes into the present day, the nerds provide a nice counter-measure to the darker sounds of mystery bells.

another magnificent release by dynooo, this time including a track by beat master cupp cave. def for fans of samiyam, paul white, take and the more out-there beats shit. dope stuff - comes hand numbered and with two different covers.

>bite sized beats vol. 1< has two smoking cuts from flapjack veteran wattie green. the first cut >flip mode< is a great throwback to the jack of i:cubes hit disco cubism. utilizing the same slammin key sample, wattie slices it up just right and puts in the smoker very early in the morning. after about 8 hours, it comes out and is seasoned to perfection with his solid beats and break wisdom resulting in one hell of a delicious dance floor bomb.

a very special one-off release from futuristica music.
zig 16 (producer of electric conversation) has produced this beautiful piece of psychedelic/hiphop/electronica that we had to release on a limited 7 inch single only! warm but crunchy beats with depth and a hint of melancholy.

soulful deephouse with broken beats by matthias heilbronn and monique bingham.

jazzy broken beats by dj spinna, remixed by osunlade of yoruba records.

after a recent short n sweet stint on tensnakes mirau imprint irish ex-pat mano le tough reemerges on internasjonal where he first saw the light of the day as a producer with the much acclaimed warhorn. yet even with such a rather small, straightforward discography mano managed to sculpture his unmistakeably very own style fusing the deeper shades of house and techno with a strong melodic sensibility that one would never even get the faintest idea to file it under the mostly bland tech-house genre. oblique boast a perfect effective dramaturgy with slighty spooky broken melody box theme rising out of a thick mist of grinding chords before morphing into a deep acid finale. french gentlemen of distinction and many styles chateau flight toughen up the beats and throw in some african wood percussions and sparse psychedelic dub effects for a superb rhythmically multi-layered rework.

with vernissage one on trapez ltd amir kicks off a beat which could have been written by herbert. as amir says himself his beats are ongoing a constant change, nothing stays the same. >cadaques< indeed highlights a spiritual quality that is expressed by ethno sounds, constantly shifting dynamics and a feeling for deepness

including kenny dope mixes

more sophisticated disco influenced gems from this great fledgling label... the elevator people are back, introducing ep 003 by giulio dj! giulio dj, also called julian horn by his mum, started his tuneful career djing in vienna about 8 years ago, bringing his love for authentic disco, balearic beats and cosmic leftfield sounds to local music circles. julians productions reflect the warmth of 70s n 80s disco with a wide range of influences from chicago to contemporary house music. his first release on elevator people is a dirty mid-tempo floor filler called cocos nuts that will work well on the more sophisticated dance floors and will go just as well with your hamburgers during those summer bbqs portuguese don >social disco club< takes it up a notch and delivers a sweet house remix with a little acid on the side

first on decks.de !!! lust und freude musiks 6th release is produced by fausto messina from treviso, italy. well known within his countrys house scene, fausto is renowned for his legendary parties where he also started his dj career. his productions have already seen releases on wir, diynamic, big city beats, monique special, suara and international freakshow and have been licensed to sven vaeths >season eight< compilation.

cessas third release on their missing link sounds imprint is another typical blend of styles that evades characterization. having recieved massivee support from the likes of mary anne hobbs, laurent garnier, sbtrkt, geiom, mr scruff, and top a & r man ross allen amongst others, cessa return with their strongest release to date. >recon< sounds like a blend of the best of good looking/ promised land-era d & b with more immediate 2 step/dubstep sensibilities that produces a great mix of rolling beats and a melodic soundscape. recon was given the sbtrkt treatment on an earlier mls release and returns here in its fine original form. >down & out< opens with an eerie acoustic double bass intro that descends into an upright synth-led floor filler, while still maintaining cessas love of restless arrangements and beat programming that strays away from the usual.

deca002 is bloodmans debut release and fine example of his skills as a producerdefining his own personal sound within the different branches of his work: remote viewing stands out as a powerful tune setting off the dancefloor with epic, evolving techno synths and heavyweight beats.

2007 papa records release, remixes by the ramp and rainy city music.

the 8th release on flights play:musik label sees another excursion into deep bass and beats by the much loved survival, this time in collaboration with long-time friend chris inperspective under their >living in shadows< guise. the a-side gives you the melancholy but tough and rolling >apple fingers<. flip over to the b to find the quirky sounds of >the phlebass consideration< ? apparently inspired by an iain m. banks novel, its different and we like it. dj support: flight, goldie, storm, alix perez, redeyes, a.i plus many more ...

until now duffstep has hidden in the seedy undergrowth of london always in disguise, clandestine and covert, ever plotting his imminent escape. this bid for freedom then, is called >getting to sirius<. sirius is the brightest star in the night sky, in ancient greek times sirius was said to mark the beginning of summer, where women became aroused and men became weak. duffsteps debut album >getting to sirius< is a blend of dub influenced, down tempo beats winding through layers of melody, synths and vocals softening the blow and giving a nice, warm and fuzzy edge to the thick slabs of sonic concrete. though you dont have to wait long before a nice big bass-line knocks you down on your arse again.

features 2 new tracks, crunch and munch & master blaster. diz & fiasco totally work out the doubledownin chicago vibe with their signature beats, swinginging basslines and badass mix moves. master blaster jacks with loads of peak time energy kickin from the top, smoothing out in the middle with some soulful keys as the whole thing builds up into a beefy bumpin ride. crunch features some groovy, techy atmospherics and compliments the the flip perfectly.

metalheadz veterans & man of the moment s.p.y combined to devastating effect. first up we have >legion< which takes us back to 2000 with total sciences beats and bass line and classic ragga sample. before we re bought right back up to date with >ploc monster< and its growling bass line and skanking beats. release of the year so far!

finlands 501 made his name writing smashers for labels such as chase & status imprint more than alot, but this plate on black acres dancefloor subsidiary will confound all expectation. >short circuit< marries synthetic pop production with dancefloorsensibilities and adds a dash of pure cheek for good measure. an intro of vibrant chords, talkbox vocals and live electric bass sets up the naughtiest of drops - skipping jazzy beats, switching synth edits and snippets of turntablism, all shoe-horned over an enormous warping bassline.

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

first pressing on 180g heavy vinyl, limited to 1000 copies with artwork direction and design by phantom.
his mission to create what-the-fuck-records continues and the secret weapon this time around is vocals ... harveys vocals ... and lots of them.

standard white paper inners and black spined outer sleeve, 140gr vinyl.
his mission to create what-the-fuck-records continues and the secret weapon this time around is vocals ... harveys vocals ... and lots of them.

siula grande is another needwant dancefloor friendly release with two great remixes from pete herbert and burnski to back two innovative originals. title track >siula grande< grips the floor with a hypnotic house groove and dark rave bassline, capturing the raw energy of early classics as well as the complexity of modern production skills and buoyancy of current house music. piano led melodies lead into enveloping breakdowns and result in a true dancefloor weapon. pete herbert is renowned for knowing what the dancefloor want. on his rework of >siula grande<, he highlights that groove that makes the original such a stand out track, and adds a nineties inspired piano and guitar lick - lifting the track to new heights. >for all time< is a 9-minute workout of deep slo mo funk inspired melody. lazy beats dance on a backdrop of embracing sounds producing an evolving journey into space and time. on the remix burnski, one of a new school of profilic house producers, injects the depth of house music and energy of modern techno, focusing purely on the groove in his >time to go dub<...

fourth single cut from the latest kuniyuki album >walking in the naked city<. a side,>set me free< was a most clubby tune on the album.kuniyuki edited to bit dirty and more funky. this track is all around for the fan of francois kevorkian to villalobos. b side,original version of >strom< was a classical ambient house track with female vocal. kuniyuki edited to instrumental and added stronger beats.this new version remind early production of blaze or danny tenaglia. both tracks are deep and emotional and lovely dj tool. its real deep house.

ig room ibiza vibes abound on this killer ep from solead, the parisian duo who have provided metroline with some of the labels most outstanding releases. in musica, tumbling beats and a melange of cuban pianos, horns and flutes play over a very robust rhythms to create an atmospheric big room builder.

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.